So, that's right. I have a new challenge for those of us who love to write. Pick someone, a random stranger. Don't speak to them, just passively observe them. Make mental notes of everything about that person. What they are wearing, their demeanor and overall appearance. It could be any one. Perhaps someone in a restaurant check-out line or even in the car next to you. Do they seem to you affluent or a normal-Joe?
Then, when you've cataloged all you can, go home and close your eyes and let the magic happen. Create a fictional tale of the person based on what you took note of. Add in all the elements you've noticed and weave that into a story with a good story arc and plot.
Here's a plot line I imagined the other day in response to a question that was poised to me. I was asked how do I come up with the stories, where does the imagination come from?
It is of a tired looking woman who was in the twilight of her stellar career as a literary agent. Long gone are the big contracts and big paydays. Each night, after another day of failure, she drowned her memories of being one of the premier agents in cheap wine until the bottle is as empty as her stable of competent writers.
She was desperate to possess her former status in the industry when she reviewed a query letter of a suspense novel full of high stakes intrigue and conspiracy. She requested a full manuscript.
It had all the elements to be a trendy best seller. A good looking studly Senator as a main character, a beautiful damsel of ulterior motives and a mistress of even darker ambitions. It had an air of opulence and an uncanny behind-the-scenes feel of powerful politicians and hated wives. It was a ravishing tale of sex and murder, blackmail and compromises. It was the kind of tale the reading public would clamor for.
During her peak, she could get a hansom seven-figure offer from a major publishing house with little or no effort for a book like this. As she put the manuscript down, she wasn't so sure. She was a has-been and a subject of water-cooler gossip. She needed an edge. Something, anything that would get her noticed and back on top.
All she needed was... a murder.
And there you are. I thought this up in the span of three minutes. Perhaps, one day, I'll actually put it down on paper and begin building a project from it. I think it would be a fun book to write.
Now, its your turn! Let me know what you come up with. Remember, we are vessels from which a character's life flows to paper. Be true to their story. Don't worry about what people may think of you. Once you inject your outward concerns, you defile the life story your characters have chosen to entrust to you.
Ranting Novelist
A blog devoted to the musings of author R.K. Powers and the challenges of staying true to his characters' lives.
Wednesday, March 20, 2013
Friday, February 22, 2013
Blood and Shadows!
Hello everyone! BLOOD AND SHADOWS is now available on Amazon for purchase! Keep in mind, my novels are not the typical short novella that most self-pubbed authors put up. BLOOD AND SHADOWS is a 127,000 word book full of twists, turns and a unique view into Hitler's true agenda for WWII - immortality!
THE BROTHER OF ADAM, the sequel to BLOOD AND SHADOWS will be available near the end of the year!
THE BROTHER OF ADAM, the sequel to BLOOD AND SHADOWS will be available near the end of the year!
Thursday, February 21, 2013
Traditional Publishing vs. Self-publishing
This is a question I have been wrangling with for years. For me, it is almost like the first jump into the lake. Is it going to be warm and inviting, or death-bone frigid?
Before we go any further, let me clarify. For the purpose of this post, I am going to discuss ePubs vs. traditional exclusively. I'm not going to cover paying a publisher/printer to print up a batch of books for you to promote. That's a whole new subject altogether with many pitfalls.
I have always been weary of self publishing. There were a lot of questions that I was concerned with. Chiefly among them, would self-pubbing damage any chance I have with landing a future literary agent? If, on a future project, would an interesting agent see some old work floating out there that may turn them off? What kind of success do self-published authors have?
Lately, I've seen more agents discussing the self-published authors more easily. Where a few years ago, self-pubbing seemed like a death-nail to a real career in writing. There are some mainstream authors today that got their start as a self-published writer.
There is A LOT of content out there by self-published authors. Some good, some not-so-good and some are just, let's be honest, HORRID. And that brings me to one of the good things of going the traditional route. Agents and publishers know a good story when they see one (mostly). They are the folks who know market trends and know what sells and what doesn't. They are our filters, feeding us refined literary nutrition and keeping the crud that causes cross-eyed-syndrome to a minimum. With their help, they weed out the grammatical gaffes that make dead English teachers curl their toes and rise up from their ashy grave to slap a deaf and mute preacher.
Another important aspect of traditional publishing is that a literary agent is there for the author. They protect the writer's rights and make sure any contract leans more to the writer than the publisher. Agents, if you're fortunate to land one, is a partner for your interests. Of course, they have a dog in the fight too. The sweeter the deal, the more they make on commissions. The more rights you control, the better off they (your agent) are in the future. Also, authors with agents in their corner seem to be able to gain traction quicker than self-pubbed ones. While it is not unheard of, it is rare for a self-published writer becoming extraordinarily successful. Agents will negotiate and navigate you through the contractual phase of selling your book to a publisher too. And that is a HUGE advantage. There are tons of websites out there that will promote landing an agent.
However. There is a creative cost to going to traditional route. You are beholden to the agent and publisher's "suggestions". If they don't like a title, you change it. Dean Koontz (my fav. author BTW), briefly shares his battle with publishers on a book title in one of his books, DRAGON TEARS. Also, that new project you've been salivating over, well, it may or may not be what the agent and publisher is looking for. Keep in mind, doing so is their job. And their job is to make money.
The world of self-publishing is much simpler and easier to navigate. It is the unprotected-sex of the publishing world. Typically you take all the risks and do most of the work. This includes writing, editing, jacket design (if you're a do-it-yourselfer), and promotion/marketing. You have more creative freedom too with no one telling you what will sell and what won't. So what if it doesn't sell? You've written it and now you can self-pub your novel and let the actual readers pick. Will you make a lot of money self-publishing? Well, that's up to how well you write and how well your are in promotion. It isn't unheard of for self-published authors to do rather well. Plus, if your work is polished and good, it may lead you to a literary agent. There are certainly some do's and don'ts with self-publishing. You need to be versed on these before you get yourself into some kind of lawsuit.
All that said... I have decided to self-publish BLOOD AND SHADOWS. Once it is available. I will let you all know. The sequel THE BROTHER OF ADAM is finished and is undergoing the editing process (stab me in my throat now, please) and will, hopefully, be available for purchase by the end of the year.
Before we go any further, let me clarify. For the purpose of this post, I am going to discuss ePubs vs. traditional exclusively. I'm not going to cover paying a publisher/printer to print up a batch of books for you to promote. That's a whole new subject altogether with many pitfalls.
I have always been weary of self publishing. There were a lot of questions that I was concerned with. Chiefly among them, would self-pubbing damage any chance I have with landing a future literary agent? If, on a future project, would an interesting agent see some old work floating out there that may turn them off? What kind of success do self-published authors have?
Lately, I've seen more agents discussing the self-published authors more easily. Where a few years ago, self-pubbing seemed like a death-nail to a real career in writing. There are some mainstream authors today that got their start as a self-published writer.
There is A LOT of content out there by self-published authors. Some good, some not-so-good and some are just, let's be honest, HORRID. And that brings me to one of the good things of going the traditional route. Agents and publishers know a good story when they see one (mostly). They are the folks who know market trends and know what sells and what doesn't. They are our filters, feeding us refined literary nutrition and keeping the crud that causes cross-eyed-syndrome to a minimum. With their help, they weed out the grammatical gaffes that make dead English teachers curl their toes and rise up from their ashy grave to slap a deaf and mute preacher.
Another important aspect of traditional publishing is that a literary agent is there for the author. They protect the writer's rights and make sure any contract leans more to the writer than the publisher. Agents, if you're fortunate to land one, is a partner for your interests. Of course, they have a dog in the fight too. The sweeter the deal, the more they make on commissions. The more rights you control, the better off they (your agent) are in the future. Also, authors with agents in their corner seem to be able to gain traction quicker than self-pubbed ones. While it is not unheard of, it is rare for a self-published writer becoming extraordinarily successful. Agents will negotiate and navigate you through the contractual phase of selling your book to a publisher too. And that is a HUGE advantage. There are tons of websites out there that will promote landing an agent.
However. There is a creative cost to going to traditional route. You are beholden to the agent and publisher's "suggestions". If they don't like a title, you change it. Dean Koontz (my fav. author BTW), briefly shares his battle with publishers on a book title in one of his books, DRAGON TEARS. Also, that new project you've been salivating over, well, it may or may not be what the agent and publisher is looking for. Keep in mind, doing so is their job. And their job is to make money.
The world of self-publishing is much simpler and easier to navigate. It is the unprotected-sex of the publishing world. Typically you take all the risks and do most of the work. This includes writing, editing, jacket design (if you're a do-it-yourselfer), and promotion/marketing. You have more creative freedom too with no one telling you what will sell and what won't. So what if it doesn't sell? You've written it and now you can self-pub your novel and let the actual readers pick. Will you make a lot of money self-publishing? Well, that's up to how well you write and how well your are in promotion. It isn't unheard of for self-published authors to do rather well. Plus, if your work is polished and good, it may lead you to a literary agent. There are certainly some do's and don'ts with self-publishing. You need to be versed on these before you get yourself into some kind of lawsuit.
All that said... I have decided to self-publish BLOOD AND SHADOWS. Once it is available. I will let you all know. The sequel THE BROTHER OF ADAM is finished and is undergoing the editing process (stab me in my throat now, please) and will, hopefully, be available for purchase by the end of the year.
Wednesday, January 30, 2013
Tumbleweeds and Coyotes!
Whew! It's hard to believe it's been a couple of weeks since my last post! I just got back from my first time in Texas where their food portions are about as large as the state! I guess its time to hit the treadmill!
Anyway, I travel from time-to-time and those trips take me through major airports across the country. If you want a good cross-section snapshot of differing cultures and personalities - a major airport is the place to do it!
Texas wasn't any different. I got to meet all kinds of people. I got to see two Texas Rangers at a BBQ joint we were eating lunch at. I wanted to ask them about Chuck Norris, but decided it would have been unwise. Instead, I learned of the One Riot - One Ranger story and much more. My colleagues and I spoke about how life was in Texas, where poisonous snakes are as common as the squirrels in my back yard in GA. I even learned what life on a south Texas ranch is like! I was enthralled.
Now to tie this in with writing. I was reminded how one person's reality is impacted by geology and where they live. For me, hearing about life on a south Texas ranch was the stuff of old John Wayne movies. A series of Hollywood props and one-liners. But, for folks living in South Texas, ranch life is a here-and-now reality. That night in the hotel room, my mind wandered, replaying every detail of the stories. I found myself wondering what ranch life in Texas was like. I soon found myself constructing an elaborate fantasy land in my mind of modern ranch life where rattlesnakes, coyotes and the cartel danced among tumbleweeds and dust devils. It was a world where cats and dogs, our feline and canine companions, would chase down and kill a snake quicker than a wheel gun toting cowboy. Fearless. Unrelenting.
Characters. All our stories have them. Traveling reminded me how diverse our world is. It reminded me how our environment shapes and molds our individual realities and each person has their own bubble of individualism and set of experiences that make their reality very different from our own. When writing, I have difficulty conveying that diversity, that individual character. Sure, they have different names and genders and have their own place in a plot line, but sometimes they lack depth.
When you are embarking on a new project, take time to research and flesh-out all the main characters that will appear in your book. Develop a background, life experiences and understand them - get to know them. Even if those details never make it into the book, they will weave their way into minds of readers via good character development. Only then will you truly be able to write about them and tell everyone what it is like being them! It adds character depth and adds strength to your book. If a reader doesn't care about your characters that are driving the plot, they almost certainly will care even less about the book.
So, when writing, don't neglect your characters. They need as much, if not more, attention than the plot itself. And remember, as Will Rogers once said, always remember to drink upstream from the herd.
Anyway, I travel from time-to-time and those trips take me through major airports across the country. If you want a good cross-section snapshot of differing cultures and personalities - a major airport is the place to do it!
Texas wasn't any different. I got to meet all kinds of people. I got to see two Texas Rangers at a BBQ joint we were eating lunch at. I wanted to ask them about Chuck Norris, but decided it would have been unwise. Instead, I learned of the One Riot - One Ranger story and much more. My colleagues and I spoke about how life was in Texas, where poisonous snakes are as common as the squirrels in my back yard in GA. I even learned what life on a south Texas ranch is like! I was enthralled.
Now to tie this in with writing. I was reminded how one person's reality is impacted by geology and where they live. For me, hearing about life on a south Texas ranch was the stuff of old John Wayne movies. A series of Hollywood props and one-liners. But, for folks living in South Texas, ranch life is a here-and-now reality. That night in the hotel room, my mind wandered, replaying every detail of the stories. I found myself wondering what ranch life in Texas was like. I soon found myself constructing an elaborate fantasy land in my mind of modern ranch life where rattlesnakes, coyotes and the cartel danced among tumbleweeds and dust devils. It was a world where cats and dogs, our feline and canine companions, would chase down and kill a snake quicker than a wheel gun toting cowboy. Fearless. Unrelenting.
Characters. All our stories have them. Traveling reminded me how diverse our world is. It reminded me how our environment shapes and molds our individual realities and each person has their own bubble of individualism and set of experiences that make their reality very different from our own. When writing, I have difficulty conveying that diversity, that individual character. Sure, they have different names and genders and have their own place in a plot line, but sometimes they lack depth.
When you are embarking on a new project, take time to research and flesh-out all the main characters that will appear in your book. Develop a background, life experiences and understand them - get to know them. Even if those details never make it into the book, they will weave their way into minds of readers via good character development. Only then will you truly be able to write about them and tell everyone what it is like being them! It adds character depth and adds strength to your book. If a reader doesn't care about your characters that are driving the plot, they almost certainly will care even less about the book.
So, when writing, don't neglect your characters. They need as much, if not more, attention than the plot itself. And remember, as Will Rogers once said, always remember to drink upstream from the herd.
Tuesday, January 8, 2013
Don't Judge a Book by Its Cover! Right?
Not so fast there Slick! A spiffy book cover (also know as jackets) is just as important, some would argue more important, as your content of your book that you've slaved over.
The old cliche, the title of today's post, doesn't fare well in our modern and impulsive world. The impact of a well designed book cover spans both traditional publishing and e-books. It is the first impression a would-be-buyer will see. It is the first kiss, the first touch of the love affair readers will embark on when reading what you have labored over to perfection. At this point, you've polished your manuscript to a high sheen, its time to dress it for the dance!
For those of you that are pursuing traditional publishing, you are familiar with what a query letter is. You are also familiar with how hard it is to condense a full sized manuscript down to 350 words or less while capturing all the goodies to reel in a literary agent! Now, think of doing that through illustration! Creating a book cover is not for the faint of heart. A lot depends on it. So my advice, this isn't something to pinch the pennies on. Get someone who designs book covers professionally.
If you are self-publishing, keep the fact in mind that e-books have different criteria than printed books. Your designer will know this. If they don't, deep six them and move on to one that does!
A good designer will try to capture the essence of your story in one compelling cover. It should convey the atmosphere and the heart of your book. Its all about imagery. It is what will capture the attention of the buyer. It is what entices them to read the blurb and buy your book. It is a visual representation of months of grueling work on your part! Don't waste it!
Research indicates, in today's fast paced society, you have about 3 seconds to grab someone's attention! Want your book on a display in the book store - you better have a stellar cover!
Here is a link to a video that I found informative and funny concerning book covers.
Remember, just because you've written your book and had it edited doesn't mean your job is done! Your job has just begun!
Wednesday, January 2, 2013
The Count that Counts
From my other posts, you know I'm a big fan of having a word count goal with each writing session. Over the holidays I had a brief conversation with a writer friend of mine on how to find that comfortable amount of words to settle into.
So, the first thing we need to agree to is that writing a novel isn't easy. It takes time, patience and dedication. It's a commitment of endurance and a commitment to your characters.
There are many reasons for setting a daily word count goal. One, it keeps you on schedule and focused. Without it, your project may linger and ultimately be pushed aside completely! Like I told my writer friend, "Motivation and devotion, no mater how pure, has a shelf-life. The longer you take to complete a project, the less likely you will!" Again, this is where a word count comes to the rescue. It keeps you moving down the road of completion in a steady and measured way.
There are a couple pitfalls to watch out for. To begin with, temper your expectations. A goal is nice, but it can also be a source of discouragement. If you set your count to high and you constantly miss your mark, it can impact the energy that drives your writing. However, setting it to low and you risk a jerky/choppy story arc and underdeveloped plot lines.
When deciding on a word count goal for a project, there are a few factors you should think of. When do you plan to have your writing sessions? Yes, it's important to have a set time slot each day. What is your targeted length of your book? Do your fingers dance across the keyboard or do they peck like a blind and deaf woodpecker with rheumatoid arthritis? Do you have any experience in writing novel length stories? Finally, you must be honest with yourself when evaluating your enthusiasm for your project.
For me, I set my goal at 1,500 words per day. There are days when I struggle to hit that mark. But, there are many days that I far exceed it. Use it as a guideline to keep you moving in the right direction. Never use it as a stopping point. If you're in the middle of a suspenseful part of the plot, or a budding romance between your superhero and arch villain, don't stop just because you hit word count quota! Keep going! Writing isn't a hold-that-thought activity.
Now, what happens on those days you don't hit your goal? This happens. For me, if I don't write, I begin experiencing anxiety and the slow burn of guilt. A condition I can only reverse by writing. I also have some favorite blogs I follow and read myself. It all helps to keep me focused and motivated.
I know some who claim they don't need a word count. I'm sure there are exceptions. For the vast majority of us, however, not having one leads our projects to the dusty shelves of neglect.
Good Luck! I know you can do it! Just remember to have FUN! You're already doing something most have only dreamed about - WRITING!
So, the first thing we need to agree to is that writing a novel isn't easy. It takes time, patience and dedication. It's a commitment of endurance and a commitment to your characters.
There are many reasons for setting a daily word count goal. One, it keeps you on schedule and focused. Without it, your project may linger and ultimately be pushed aside completely! Like I told my writer friend, "Motivation and devotion, no mater how pure, has a shelf-life. The longer you take to complete a project, the less likely you will!" Again, this is where a word count comes to the rescue. It keeps you moving down the road of completion in a steady and measured way.
There are a couple pitfalls to watch out for. To begin with, temper your expectations. A goal is nice, but it can also be a source of discouragement. If you set your count to high and you constantly miss your mark, it can impact the energy that drives your writing. However, setting it to low and you risk a jerky/choppy story arc and underdeveloped plot lines.
When deciding on a word count goal for a project, there are a few factors you should think of. When do you plan to have your writing sessions? Yes, it's important to have a set time slot each day. What is your targeted length of your book? Do your fingers dance across the keyboard or do they peck like a blind and deaf woodpecker with rheumatoid arthritis? Do you have any experience in writing novel length stories? Finally, you must be honest with yourself when evaluating your enthusiasm for your project.
For me, I set my goal at 1,500 words per day. There are days when I struggle to hit that mark. But, there are many days that I far exceed it. Use it as a guideline to keep you moving in the right direction. Never use it as a stopping point. If you're in the middle of a suspenseful part of the plot, or a budding romance between your superhero and arch villain, don't stop just because you hit word count quota! Keep going! Writing isn't a hold-that-thought activity.
Now, what happens on those days you don't hit your goal? This happens. For me, if I don't write, I begin experiencing anxiety and the slow burn of guilt. A condition I can only reverse by writing. I also have some favorite blogs I follow and read myself. It all helps to keep me focused and motivated.
I know some who claim they don't need a word count. I'm sure there are exceptions. For the vast majority of us, however, not having one leads our projects to the dusty shelves of neglect.
Good Luck! I know you can do it! Just remember to have FUN! You're already doing something most have only dreamed about - WRITING!
Friday, December 21, 2012
Another Round!
So, you've done it! You've done what so many people say they
want to do, but never do. Finished your first Book! Congratulations! Now, the
real work starts. Editing. Editing. Editing. Now, there are some folks that love
the editing portion of writing. They love refining and making that diamond in
the rough sparkle. They analyze every nook and cranny of the manuscript.
Then there are those that loath the editing process. They
approach it as a necessary evil, a thorn that needs to be removed. They slug through the whole editing process at glacial speed.
It's about attitude! Change it if you fall into that second camp! Your characters deserve the added attention.
But what needs to be remembered, is that just because you
finished your draft, it doesn't mean you've finished your novel. A novel isn't finished until it is in fit-n-trim shape. Think of the editing process as cross-training
for your manuscript. Conditioning, strength training and cardio are going to be
needed for the marathon your manuscript is going to have to embark on. It is going
to be going through the process of finding an agent, a publisher and
getting published. It needs the training to stand on its own. You won’t be
there to hold its hand. The editing process is where you set aside your
personal affinity for your work and scrutinize. Does that story arc, regardless
of how much you like it, really, really, really work? Or is that character that
you love so much really pulling their weight? If not, well, it’s your job to
shape them up!
So, fellow pen-warriors, drop down and give me 50! Don’t
stop until your manuscript is a lean, mean, rousing machine! Then, refine it,
drop it in a tuxedo and send it out in the brutal publishing world.
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